I am a control freak, and concerts bring out the worst in me because a part of me is convinced that the rules set out during ticket selling out to be followed, while a part of me – and other people as well – constantly reminds me that, in times like these, chaos is bound to happen.
There were a few snags as we arrived at the Circuit Mall in Makati for the first Bandwagon Music Market in the Philippines. One, Shalla, who works the night shift, did not get any sleep, so I knew that we would have to skip some of the acts at one point. Two, while driving to the venue was hard, finding the Power Mac Center Spotlight was particularly difficult – although I blame it on the mall for not putting signs. It is hard to get to. I knew it was at the third floor, but we went up the wrong escalators and ended up at a chapel. Turns out we should have taken another set of stairs.
Hello. Niko here. Our review of the GoodVybes Festival, which took place last Saturday, would be a little different than we envisaged. We planned an essay of observations for the first major (arguably) music festival of 2016. We had a man on the ground: one of our contributing writers, Dexter Tan, bought tickets, making good on his vow to see Chvrches once and for all. And he was there.
“The next time Reese holds a collage-making workshop,” Rainy told me, “let me know. I want to join.” So, a little over five months ago, we stocked up on old magazines at Book Sale, bought a shiny new pair of scissors, and went to the workshop. Well, only she took part. I was just there hovering around, doing some pre-blogging (that would be our month-long series on OPM classics) and playing with some questions in my head.