So, Dicta License released another single a few days back. At this rate, I won’t be surprised if there’s an album in the offing. We need them back, God knows we need them back: a group who’s not afraid to be political, in times like these when musicians would rather play it safe to please everybody. But then, I’ve been thinking about how their popularity came at a time when we were generally more receptive to local alternative. I mean, we are still that now, but we’re fragmented, and we pay attention to our niches, and also, whether we admit it or not, we shut out anyone whose opinions diverge from ours. If ever they release an album, I feel it won’t make the impact I hope it would. But does it matter?
Time again for my monthly catch-up with the more interesting things Philippine music has to offer, and, well… you know what I’m going to say here. But then this month’s column is a little unusual in that I have had an idea of who to write about for a while… and then let it boil, knowing there will be more ahead. I find that whenever I finish writing one of these things, one of the acts I just featured would be up to something. Guys, this doesn’t mean I have inside scoop or anything, all right?