We’ve (almost) reached the end of this seven-week series on Nordic pop, and this time we land in Iceland. It’s interesting, this: the country’s physically isolated from most of the world, even its Nordic neighbors (although you can argue Greenland is Denmark, and they’re closer there). That’s meant the country’s had a chance to evolve its culture on its own terms. Just think of Björk, who we wrote about a few weeks back. But also, her musical journey’s involved a lot of genres: in recent decades the country’s also seen its fair share of outside influences, and yet its music is, in a way, distinctly Icelandic.