The Local Outsider #35: Ena Mori, Our Inflatable Friends and Aly Remulla

So, Dicta License released another single a few days back. At this rate, I won’t be surprised if there’s an album in the offing. We need them back, God knows we need them back: a group who’s not afraid to be political, in times like these when musicians would rather play it safe to please everybody. But then, I’ve been thinking about how their popularity came at a time when we were generally more receptive to local alternative. I mean, we are still that now, but we’re fragmented, and we pay attention to our niches, and also, whether we admit it or not, we shut out anyone whose opinions diverge from ours. If ever they release an album, I feel it won’t make the impact I hope it would. But does it matter?

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The Local Outsider #34: The Bed Bites, Jellie and Kremesoda

It’s become clear to me that this column is badly timed. I arbitrarily scheduled it for the last Thursday of the month, not really thinking much about it, but in the past few months there’s always a flurry of new single releases – from acts I would’ve otherwise missed – happening at around this time of the month. Well, it’s good that more are starting to toot their horns about local independent acts, but is it too much to wish that they get scattered across the month? Yeah, because who am I anyway? Just a so-called music blogger who’s always late. But then, that is the point of this column. I have to remind myself that.

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The Local Outsider #33: Washington Drama Club, Where’s Ramona? and (once again) Reese Lansangan

When I began this column three years ago I had a bit of apprehension that this would be a token slot for local music, which these things tend to be, which ultimately isn’t good for this blog’s attempts to cover it all better. Well, yes and no. I’ve amped up the album reviews, but then I still forget a lot of things. But then, can I blame it on being busy too? I was meaning to review the new Apartel album, but haven’t. Same with the new Strange Creatures album, but haven’t. Same with Eyedress‘ album, but haven’t. (I do have a “review the album within a week of release” policy.) I can barely keep track of my editorial calendar, much more my work one. It is a sign of things to come, I’m afraid.

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The Local Outsider #32: Peaceful Gemini, Moira dela Torre × Nieman, and D’Sound × Armi Millare

As always, I don’t know how to start this month’s column. I’ve been preoccupied, in case you haven’t noticed it in my entries in the past couple of weeks or so – and then there’s the packed editorial calendar for the last couple of months of the year. So I’ll be upfront and admit, like I always have, that I am writing this the night before publication with no plans – well, a vague idea of who to feature, but not much of an idea of what to expect. And that’s what we all expect from this column, yes? All right, let’s go.

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The Local Outsider #31: Tiger Pussy, Shanne Dandan and the return of Dicta License

The plan was to write this column way ahead of time. Well, yes, that always was my plan, but this month is a busy month – the biggest event of my calendar year, for the day job, happens next week – so I thought I’ll get some writing done. But, well, I am writing this the night before publication date. Of course I would. I have work flow issues, clearly. Well, I can always say work for the day job took precedence, but I need to discipline myself further. So, here’s this month’s Local Outsider, reliably crammed like most months, if not all months.

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