I remember seeing that tweet from Coeli. “More brunch things should be a thing,” she said almost two months ago. “Imagine listening to music over waffles, bacon, scrambled eggs and coffee with a little sunlight on your face.”
Shy Shy Shy is Astrid Cordes and Simon Kjeldegaard, a duo from Denmark who have subverted our expectations of Scandinavian indie pop with a synth-powered mix of awkwardness and confidence. We’ve been writing about them for the past three years or so, across which we’ve seen them push their boundaries while keeping that sense of fun. This Friday they release their debut full-length, Make Up, and to make the occasion we’ve dusted off this feature and asked them about the five songs they can’t live without. It’s not entirely synth-powered.
Here’s more proof that I am starting to fall by the wayside, at least when it comes to listening to the songs I’m apparently supposed to listen to and like, here’s a relatively pop-centric list of my ten favorite songs for 2017. I attribute it to the fact that I may have listened more to my K-pop library this year (it does have some therapeutic claims) and that things seem to blend with each other more this year than in previous years. In a way, it’s a good thing: finally, some parity between the slickly produced and the more down-to-earth ones. But some will say this is me selling out. Nah, nobody is saying that. Nobody cares about this thing, yes? But we have to put it out, like everybody else, so here, in alphabetical order, are my ten favorite songs of the year. [NB]
Yes, there is a part eight to this. I was surprised to see more interest than expected on this seven-week series on Nordic pop, and I got a message from the folks at Nordic Music Review looking if they can contribute. Why not? Now, to wrap up this series nicely, that blog’s editor, Andy Worsey, breaks down just how Nordic music has made an impression around the world.
We’ve (almost) reached the end of this seven-week series on Nordic pop, and this time we land in Iceland. It’s interesting, this: the country’s physically isolated from most of the world, even its Nordic neighbors (although you can argue Greenland is Denmark, and they’re closer there). That’s meant the country’s had a chance to evolve its culture on its own terms. Just think of Björk, who we wrote about a few weeks back. But also, her musical journey’s involved a lot of genres: in recent decades the country’s also seen its fair share of outside influences, and yet its music is, in a way, distinctly Icelandic.